This Blog is about The Inklings: the writers group in the mid-twentieth century that included JRR Tolkien, C.S. Lewis, Charles Williams, and others. Although not officially part of the group, their colleague, Dorothy L. Sayers, will also be included.
Saturday, November 8, 2008
Change: Nikabrik's Empty Wallet Speech
The tide of politics has its ebb and flow, and, depending on your point of view, the tide has now either flowed or ebbed for the good or the bad. The majority of voters, although not the predicted landslide, have apparently decided to have the audacity to hope. But many conservatives are wondering if Nikabrik and his comrades have conjured up the White Witch.
I was reminded of Nikabrik's words in an article in Worldmag.com about the life of Joseph. As we approach the Thanksgiving season in the midst of economic turmoil, what do we have to be thankful for? Joseph's life certainly had turmoil, but Andrée Seu's article reminds us to be thankful in every situation. God is working out everything for good.
As we approach Thanksgiving, many are hurting. Jobs are being lost every day. What is God trying to teach us? Will Obama be able to step up to the plate and guide us to a better future? Will our congressional leaders be able to resist corruption and stand for the American people? I do not know the answers to these questions. But I do know that God is in control, and have the audacity to hope that He, at least, knows what He's doing.
Saturday, November 1, 2008
Dramatizing Christ: How it All Started
Sayers' "Play-Cycle" was presented on BBC radio during World War Two from December 1941 through October 1942. The series was so popular that a book of the plays, including all the director's notes, was published in 1943. In the Foreword to that book, J. W. Welch, the Director of Religious Broadcasting of the B.B.C., commented (page 12)
The minimum duty of religious broadcasting to those outside the churches is to say: "Listen: This is the truth about the world, and life, and you". But how were we to say it so people would listen? Conventional church services and religious talks were of little avail. Obviously, something new was needed.
The archaic language of the Authorized King James version was a hindrance to people understanding the reality of which it speaks. While using the King James verbage in the introductory narratives, Sayers put the dialogue in the language of mid-20th-century England. Although criticized by much of the religious community for the "liberties" she took, she connected with the people.
Before there were books, Truth was spread by word of mouth. After the invention of writing, God instructed His followers to record his teachings in The Book. We are now in a time when communication had come to the point where video can be transported around the world in an instant by satellite and the Internet. Certainly God is using these means to reveal Himself to the world.
That is not to say that movies about the life of Christ have the same weight as the inspired scriptures. The Bible is the final authority. But the Truth of scripture is not dead dogma. It is "alive and powerful," and must be presented as such to the world. Christ came into the world (in a sense) as a dramatization of deity. As we seek to dramatize the deity through modern technology, we must remember to present Truth in love. Part of that love is conveying Christ in a language and manner that will resonate with the common man, woman and child.
The Man Born to be King was published as recently as 1990 by Ignatius Press. Used copies are available on Amazon.com and other online resources. It is said that C S Lewis read the book every Easter.
Saturday, August 16, 2008
Remembering C S Lewis
The picture that emerges of "Jack," as his friends called him, is of a highly intelligent scholar relentless in the pursuit of truth, yet winsomely jovial and generous to a fault. The contributors for this book do not all share Lewis's faith, but they are all admirers. Those who are believers are not all of the same "stripe" of Christianity. Many comment how Lewis, while living out his Faith, did not try to "ram it down their throats."
In the 1950's Dorothy L. Sayers*, author of the play The Man Born to Be King, wrote an essay for the magazine World Theater (Winter 1955-56) titled "Playwrights are not Evangelists." Her argument was that Christian playwrights should above all strive to produce good plays, rather than merely seek to evangelize. "A drama (or any other work of art) will not by itself make anybody a Christian. It can provoke attention and stir the heart..." but not convert the soul.
What Sayers wrote about playwrights applies equally to the works of Lewis, including his so-called theological works. When he set out to write a novel, I do not think he was thinking of the best way to manipulate people in order to turn them to God. He was seeking to write a good story. Nor did he assume that his non-fiction would create Christians. Certainly his desire was to be convincing, but he knew that intellectual persuasion and emotional manipulation are not the same as conversion. Salvation comes by the Word of God through the power of the Spirit of God. (1 Peter 1:23, Romans 10:17, Titus 3:5)
Perhaps the most persuasive argument for Christianity is a life well lived. C. S. Lewis lived his faith, as testified by those who knew him. Christians should strive to be the best they can be in whatever vocation in which they find themselves. If you are a playwright, be the best playwright you can be. If you are a novelist, be the best novelist you can be. I make my living as a welder. Living the Christian life, for me, means being the best welder I can be. Good craftsmanship will not convert the soul. but hopefully it will "provoke interest" so that I can be an influence. Whether my writing "provokes interest" I leave to you to decide.
*Sayers was an Oxford graduate who was friend of Lewis, mostly through written correspondence, and admirer of Charles Williams, a member of the Inklings--a writers group that included Lewis and JRR Tolkien. She is famous for her "religious" plays performed during World War 2, and her earlier Lord Peter Wimsey detective stories.
Monday, August 4, 2008
Narnia.mobi: Birthday Present or Cybersquatting?
When the news first came out about the decision of the C S Lewis Company to file a complaint against the Scottish couple who bought the domain name Narnia.mobi, I was rather indignant. To take action against someone for wanting to provide an extra-special birthday gift for their child seemed rather uncalled for.
But as Proverbs 18:17 reminds us: "The first speech in a court case is always convincing—until the cross-examination starts!" [The Message Bible] It seems that the Saville-Smiths were not exactly forthcoming with all the significant details when they were interviewed by the Press. In fact, it appears that the story about wanting to give their son a birthday present was just that--a story. The conclusion by the experts at IPKat was that
...their actual motives had very little to do with simply getting a nice birthday present for their son. Instead, their acts of registering so many domain names now makes them appear like classic cybersquatters, but perhaps with a particular talent for tales of fantasy.
Jesus told His followers that we are to be "wise as serpents, and harmless as doves." [Matthew 10:16] Rather than this being a case of The Man oppressing the little guy, as this has been presented in much of the Press, perhaps it would be much more accurate to portray this as discerning followers of Christ practicing wisdom. Let's look at a couple facts.
First of all, the testimony presented in this case overwhelmingly shows that the Saville-Smiths' intent was to make money off a protected trademark, not to buy their son a birthday present. It is true that while C S Lewis was alive he gave most of the proceeds from his Narnia works to charity, but this is certainly different than allowing someone to steal copyrighted material. The Saville-Smiths certainly are not a charity case!
Secondly, the C S Lewis Company is not in the habit of filing litigation against those who use the "Narnia" name. Those who follow the law, and use the name for a legitimate non-commercial purpose, have been left alone. A quick search of the Internet bears this out. Here are some examples: NarniaWeb.com, NarniaFans.com, NarniaStory.com, Narnia.org and Narnia.Freeservers.com.
So, where are all the royalties that are paid to the Lewis estate going? That seems to be a bit of a mystery. Besides lawyer's fees, apparently the money is put in trust. (See this article in the November 6, 2005 Sunday Times.) What the money is being used for seems to be a mystery. I certainly hope that Lewis's interest in helping the needy is being carried forward.
Friday, July 4, 2008
The Chronicles of the Inklings
Is there anyone who wouldn't enjoy reading Here, There Be Dragons? If there is such a person, I haven't met him, and I doubt that I would like him if I did. I am only disappointed that, because this book is so new, I'll have to wait too long to read the sequels.
Well, Mr. Card has not met me. Would he like me? I guess he would have reason to doubt it. I found Dragons an interesting read, but not enjoyable. I was interested enough to plow through to the end, but I did not enjoy the plowing very much. Owen tries to be clever and original; but I found him to be rather annoying and predictable. And his research and grasp of vocabulary is a bit pathetic.
The book begins by bringing the main players together in 1917 due to the death of an Oxford professor. I suppose Owen thinks himself surreptitious by using only first names and not fully identifying the Inklings until the end of the book. While correctly identifying CS Lewis with the name Jack, at the end of the book he mistakenly attributes the source of the nickname to WH Lewis, Lewis's brother. Lewis chose the name "Jack" or "Jacksie" for himself--it did not originate with his brother.
Even worse, JRR Tolkien is identified as "John." Although this is Tolkien's correct first name, he was always called by his second name, "Ronald." His friends knew him as "Ron," "Ronnie" or "Tollers"--never "John." Owen does correctly convey that "John" has been in the hospital, but incorrectly assumes that a young man suffering with Trench Fever would be able to participate in strenuous adventures. On page 6, he indicates that the disease, pyrexia, was just the body reacting to the stresses of war "and manifested its protest with a general weakness of the limbs and constant fever." But Trench Fever is not a reaction to stress. It is a serious disease transmitted by lice. The only cure at the time was rest--something "John" does not get much of in this story.
Not only is the research lacking, but some of his vocabulary is inaccurate. For example, on page 275, Owen incorrectlly equates the word "casualties" with only those killed in the battle. However, "casualties," by definition, includes the wounded, not just the dead.
I suppose I could have gotten by these annoyances if the story itself was at all captivating. It was not. Tolkien, and especially Lewis, have been criticized for the hodgepodge nature of their fiction. Dragons is much worse. The premise of the book is that the fiction of the Inklings and other writers were based on their adventures in the lands of the Imaginarium Geographica. But the book results in a poorly sown patchwork quilt rather than what could be taken for materials that could be used to create Narnia, Middle-earth, and other lands of the imagination. It reminds me of what Puddleglum says to the Witch in The Silver Chair when she tries to enchant them into believing there is no land of Narnia above.
Suppose we have only dreamed, or made up, all those things – trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that’s a funny thing, when you come to think of it. We’re just babies making up a game, if you’re right. But four babies playing a game can make a play-world which licks your real world hollow. That’s why I’m going to stand by the play world. I’m on Aslan’s side even if their isn’t any Aslan to lead it. I’m going to live as like a Narnian as I can even if there isn’t any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we’re leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that’s small loss if the world’s as dull a place as you say.
Lewis believed that the world to come would be like this world, only more real. Narnia was written to help us appreciate the glimpses of that reality that are mirrored in our own world. Unfortunately, Dragons only creates a duller world than we have around us. I know I have profited from visiting Narnia and Middle-earth. I do not feel the same about Owen's Imaginarium Geographica.
James A. Owen's The Chronicles of the Imaginarium Geographica series includes Here, There Be Dragons (Oct. 2006) and The Search for the Red Dragon (Jan. 2008). The third book of the trilogy, The Indigo King, is slated for publication this October, 2008.
Friday, June 20, 2008
A Mid-Summer Night's Dream for Venezuela
The Christmas Season certainly was appropriate for The Lion, the Witch and the Wardrobe. Some have thought that summer was the wrong season for Prince Caspian, but perhaps it is a bit of providence that it is playing this time of year. Michael Ward, the author of Planet Narnia, may have been incorrect when he suggested that the month "Greenroof" was equivalent to our month of March. It seems to me that June, the time when the trees are completing their Green Roof over the forests, is probably the correct seting for the book. Plus, early apples might be found in June, but never in March. (Of course, this one small objection does not negate all the fine work Ward has done.)
Some have suggested that Lewis's reference to Mid-Summer is somehow Satanic. This is despite the fact that Chapter Twelve ("Sorcery and Sudden Vengeance") is obviously an admonishment against occult practices. (For my view on Bacchus, see Divine Revelers: The god of wine helps awaken Narnia.)
God Himself is the One who gave us Mid-Summer. This goes back to the beginning when he created everything. Genesis 1: 14-18 (NKJV) declares:
The placement of the Sun and Moon and Stars is God's idea. Recognizing the cycle of the seasons is (or should be) recognizing Him.Then God said, "Let there be lights in the firmament of the heavens to
divide the day from the night; and let them be for signs and seasons, and for
days and years; "and let them be for lights in the firmament of the
heavens to give light on the earth"; and it was so. Then God made two great
lights: the greater light to rule the day, and the lesser light to rule the
night. He made the stars also. God set them in the firmament of the heavens
to give light on the earth, and to rule over the day and over the
night, and to divide the light from the darkness. And God saw that it was
good.
Happy Mid-Summer!